Me, Dorothy…and This Road to Oz
Me, Dorothy…and This Road to Oz
“Me, Dorothy…and This Road to Oz” is an unprecedented immersive trip down the yellow brick road with the Kansas City Ballet as the cast and crew prepare for the world premiere of “The Wizard of Oz.” Audiences will follow composers, choreographers, costume builders, set designers and dancers from first read through the final bow and…
Matthew Pierce | Becoming a Music Composer
Matthew Pierce moved to New York City to “find fame and fortune,” but he felt like there was something he was missing. Then he met a guitarist and began writing music. One tip the Kansas City Ballet’s music composer for “The Wizard of Oz” offers is to master an instrument, because it gives you the tools…
Trad A Burns | Becoming a Lighting Designer
“[I] fell in love with something I didn’t know I was going to like.” Trad A Burns, Lighting Designer for the Kansas City Ballet’s world premiere of “The Wizard of Oz,” thought he wanted to be an actor, but it was only after petitioning for a class in college that he found his calling. Now, he…
Michael Raiford | Becoming a Set Designer
“Just go out and find it and do it.” Michael Raiford, set designer for the Kansas City Ballet’s “The Wizard of Oz,” says he “fell” into the profession, but encourages other aspiring set designers to get their feet wet wherever they can. Every Tuesday and Thursday through Oct. 12, Flatland looks at the various people…
Devon Carney | Becoming an Artistic Director
As the Artistic Director for the Kansas City Ballet, Devon Carney knows the significant impact he can have on a ballet dancer’s career, which often is only 15 years or so. Along with that commitment to his dancers, he’s equally as committed to the audience experience, and ensuring their first visit isn’t their last. Every Tuesday and Thursday through…